«La carta si fa tutta parlare». L’in-canto performativo di Claudia Ruggeri

Annalucia Cudazzo


Claudia Ruggeri’s poetry represents, for several reasons, a case study suitable to be analyzed through the method of Performance Studies. This contribution focuses on the oral origin of her poetry which is born in view of a performative execution and in which the voice plays a leading role. Her poems have a dramatic setting and demand a real work on the part of the reader/listener. 

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DOI: https://doi.org/10.13129/2240-5380/13.2023.53-71


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