Apple et ses fans: images et récits dans les réseaux sociaux
Abstract
This research analyses the imaginaries of Italian Apple fans in social networks communities. Our goal was to understand how users perceive Apple through the images they associate with the brand and its technologies.
We chose social networks communities’ activities as a research field because we believe that social networks offer fertile ground for the study of imagery.
To query the imaginaries of the fans, we looked at the most shared thematic and stories as well as mental and social representations.We used a composite research methodology – mainly qualitative methods - like the approaches developed in digital ethnography (Kozinets 2010).We also interviewed ten fans.
We chose social networks communities’ activities as a research field because we believe that social networks offer fertile ground for the study of imagery.
To query the imaginaries of the fans, we looked at the most shared thematic and stories as well as mental and social representations.We used a composite research methodology – mainly qualitative methods - like the approaches developed in digital ethnography (Kozinets 2010).We also interviewed ten fans.
Keywords
Imaginaries ; Fan Communities; Social Networks; Apple fans; Facebook
Full Text:
PDFReferences
Abruzzese A. (1973), Forme estetiche e società di massa. Venice: Marsilio.
Abruzzese A., Borrelli D. (2000), L'industria culturale. Tracce e immagini di un privilegio. Roma: Carocci.
Balandier G. (2001), Le grand système. Paris: Fayard.
Bentivegna S. (2015), A colpi di tweet. Bologna: il Mulino.
Bolter J. D., Grusin R. (2000), Remediation. Understanding New Media. Trad. it., Remediation. Competizione e integrazione tra media vecchi e nuovi, Milano: Guerini & Associati (2002).
Caron F. (2010), La dynamique de l’innovation: changement technique et changement social, XVIe-XXe siècle. Paris : Gallimard.
Castells M. (1996), The rise of the Network Society. Trad. it. La nascita della società in rete, Milano: Bocconi (2002).
Castells M. (2007), Communication, power and counter-power in the network society, dans International. Journal of Communication, 1(1): 238-66.
Chevalier J., Gheerbrant A. (dir. 1973), Dictionnaire des symboles: mythes, rêves, coutumes, gestes, formes, figures, couleurs, nombres. Paris : Seghers.
Comunello F. (2010), Networked sociability and individualism: Technology for Personal and Professional Relationships. Milano: Guerini.
Durand G. (1996), Introduction à la mythodologie. Mythes et société. Paris: Le Livre de Poche.
Durand G. (1960), Les structures anthropologiques de l'imaginaire, Paris, Presses Universitaires de France; trad. it. Le strutture antropologiche dell’immaginario, Bari, Dedalo,1972.
Durkheim E. (1912; 1991), Les formes élémentaires de la vie religieuse. Paris: Le Livre de Poche.
Fidler R. (1997), Mediamorfosi. Milano: Guerini & Associati.
Grassi V. (2012), Mitodologie. Analisi qualitativa e sociologia dell’immaginario. Napoli: Liguori. Grassi V. (2005), Introduction à la sociologie de l’imaginaire. Une compréhension de la vie quotidienne. Paris: Erès ed.
Hebdige D., (1981), Subculture, the meaning of style. London: Routledge.
Isaacson W. (2011), Steve Jobs. London: Little Brown.
Jenkins H. (2006), Fan, Bloggers and Gamers. Exploring the Participatory Culture, New York University Press, New York; trad. it. Fan, bloggers e videogamers. L’emergere delle culture participative nell’era digitale, Milan, Franco Angeli, 2008.
Legros P., Monneyron F., Renard J-B., Tacussel P. (2006), Sociologie de l’imaginaire. Paris: Armand Colin.
Livingstone S. (2008), Taking risky opportunities in youthful content creation: teenagers’ use of social networking sites for intimacy, privacy and self-expression. New Media & Society, 10(3): 393-411.
Maffesoli M. (1996), La contemplation du monde, figures du style communautaire. Grasse: Paris.
Maffesoli M. (1998), Simmel et le formisme, dans Thomas (dir.), Introduction aux méthodologies de l’imaginaire.
Marinelli A. (2013: 119-133), Le culture partecipative e la sfida del civic (political) engagement, dans Bartoletti R., Faccioli F. (dir.), Comunicazione e civic engagement. Media, spazi pubblici e nuovi processi di partecipazione, Milan, Franco Angeli.
Musso P. (2014), L’imaginaire industriel. Paris: Manucius.
Rainie L., Wellman B. (2012), Networked. The New Social Operating System. Cambridge: MIT Press.
Rega R. (2013), Culture partecipative e nuovo engagement. Sociologia della comunicazione, 46: 58-76.
Rega R. (2014), Networking politics: l'attivismo politico intermediato da Facebook, dans Cioni E., Marinelli A., Public Screen. La politica tra narrazioni mediali e agire partecipativo, Rome, Sapienza: 101-132.
Rega R. (2015), L'imaginaire des “Apple Fans” sur les réseaux sociaux en Italie, dans Musso P. (dir. 2015), Pour innover, modéliser l’imaginaire. Regards croisés d’industriels et de chercheurs, Paris, Manucius: 274-290.
Renard J. B., Tacussel, P. (1994), Théorie et recherches en sociologie de l’imaginaire. Revue Suisse Sociologie, 20(3): 699-713.
Sauvageot A. (2002). Imaginaire (structures et mécanismes de l’), dans Mucchielli A. (dir.), Dictionnaire des méthodes qualitatives en sciences humaines et sociales, Paris, Armand Colin: 93.
Schaap F. (2002), The words that took us there : ethnography in a virtual reality. Amsterdam: Aksant Academic Publishers.
Thomas J. (dir. 1998), Introduction aux méthodologies de l’imaginaire, Paris, Ellipses.
Turkle S. (1995), Life on the Screen: Identity in the Age of the Internet. NewYork: Simon and Schuster.
Weber M. (1995), Economie et société/2, Les organisation et les puissances de la société dans leur rapports avec l’économie. Paris: Plon.
Williams R. (1989), Television: technology and cultural form. London: Routledge, trad. it. Tecnologia e forma culturale, Rome, Editori Riuniti, 2000.
Wunenburger, J.J. (2011), L’imagination mode d’emploi? Une science de l’imaginaire au service de la créativité. Paris: Manucius.
DOI: https://doi.org/10.7413/22818138045
Refbacks
- There are currently no refbacks.
Im@go. A Journal of the Social Imaginary - Biannual - Edizioni Mimesis