Facebook & Co.: un dispositivo narrativo sintetico a comprimere l’immaginario

Antonio Sofia

Abstract


With social networks online, technology transit from being option or extension of action to define the ontologies and the connections field in which the individual links the dots to define himself. The design objectifies positions and dispositions in functional reductions and fictional relationships. Transition operators (who have in common the possibility to collect, to organize, to sell data) promise to make life better, the world a better place. We’ll be able to ask the machine what studies to do, what the ambition to pursue, which people is better to spend time with. We could ask to find in the past accessible explanations to strengthen ourselves; we could obtain, in the present e for the future, a more effective, a more efficient orientation. The process must develop natural and necessary: it need a faith or submission act, the imagination compression, the belief that the world is not only becoming better, but better in the only way it can be possible.

Keywords


Social network; Storytelling; Big data; Personalization; Artificial intelligence; Design

Full Text:

PDF (Italiano)

References


Barabasi A.-L. (2004), Link. Torino: Einaudi

Bourdieu P. (1992), Risposte. Torino: Bollati Boringhieri

Boyd d. (2014), It’s complicated. Roma: Castelvecchi

Campanelli V. (2011), Remix it yourself. Bologna: CLUEB

Deleuze G., Guattari F. (1997), Apparato di cattura. Roma: Castelvecchi

Dick P. K. (2006), Noi marziani. Roma: Fenucci

Eggers D. (2014), Il Cerchio. Milano: Mondadori

Ende M. (2014), La storia infinita. Milano: Corbaccio

Formenti C. (2011), Felici e sfruttati. Milano: Egea

Foucault M. (2005), Nascita della biopolitica. Milano: Feltrinelli

Grosser, B. (2014), What do Metrics Want? How Quantification Prescribes Social Interaction on Facebook. In Computational Culture: a journal of software studies, 4

Han B. (2015), Nello sciame. Roma: Nottetempo

Himanen P. (2003), L’etica hacker. Milano: Feltrinelli

Ippolita (2012), Nell’acquario di Facebook. Milano: Ledizioni

Levy P. (2002), L’intelligenza collettiva. Milano: Feltrinelli

Jedlowski P. (2005), Un giorno dopo l’altro. Bologna: Il Mulino

Keen A. (2013), Vertigine digitale. Milano: Egea

Lanier J. (2010), Tu non sei un gadget. Milano: Mondadori

Manovich L. (2010), Software culture. Milano: Edizioni Olivares

Mcluhan M. (1990), Gli strumenti del comunicare. Milano: Saggiatore

Parisier E. (2012), Il filtro. Milano: Il Saggiatore

Rushkoff D. (2014), Presente continuo. Torino: Codice

Schmidt E., Cohen J. (2013), La nuova era digitale. Milano: Rizzoli Etas

Simmel G., Jedlowski P. (1995), Le metropoli e la vita dello spirito. Roma: Armando

Terranova T. (2006), Cultura network. Roma: Manifestolibri

Turkle S. (1997), La vita sullo schermo. Milano: Apogeo

Vertecchi B. (2003), Insuccessi personalizzati. In Insegnare, 5: 13-15

Weinberger D. (2012), La stanza intelligente. Torino: Codice

Zuckerman E. (2014), Rewire. Milano: Egea




DOI: https://doi.org/10.7413/22818138061

Refbacks

  • There are currently no refbacks.


Im@go. A Journal of the Social Imaginary - Biannual - Edizioni Mimesis