La bocca del male. Cannibalismo, estetizzazione e performatività nell'ecosistema narrativo di Hannibal Lecter

Mario Tirino

Abstract





The Mouth of Evil. Cannibalism, Aestheticization and Performativity in the Narrative Ecosystem of Hannibal Lecter. The paper explores from a socio-cultural perspective how the theme of cannibalism is used in the narrative ecosystem focused on Hannibal Lecter (four novels by Thomas Harris, five films, a television series). The imaginary related to food in this transmedial ecosystem illustrates the path that goes from procuring to preparation until consumption. In this key, the paper analyses the ways moral norms of a given era identify some relationships with food as normatively acceptable, while classifying others as "abnormal", referring to cannibal cultures (Kilgour 1990). Novels, films, and ABC series are analyzed according to two functions associated with the cannibalistic gesture (Arens 2001): the symbolic function associated with eating human flesh and the aestheticizing function. Finally, the paper debates the figure of the cannibalistic killer in ABC tv show, as a paradigmatic example of the transition from the classical hero to the postclassic hero (Cano-Gomez 2012) and the representation of evil in terms of identity performance, in the wider context of the post-seriality television (Brancato 2011). 





Keywords


cannibalism; transmedia; Hannibal Lecter; narrative ecosystem; evil

Full Text:

PDF (Italiano)

References


Arens W. (1979), The Man-Eating Myth: Anthropology and Anthropophagy, New York, Oxford University Press; tr. it. 2001, Il mito del cannibale: antropologia e antropofagia, Torino, Bollati Boringhieri.

Bartolovich C. (1998), The Cultural Logic of Late Cannibalism, in F. Barker, P. Hulme, and M. Iversen (eds.), Cannibalism and the Colonial World, 204-237, Cambridge, Cambridge University Press.

Brancato S. (a cura di) (2011), Post-serialità. Per una sociologia delle tv-series, Napoli, Liguori.

Cano-Gómez A.P. (2012), El héroe de la ficción postclásica. Interpretación de la teoría del postclasicismo fílmico en la serie de televisión Hijos de la Anarquía, Palabra Clave, XV(3).

Carroll N. (1990), The Philosophy of Horror or Paradoxes of the Heart, New York and London, Routledge.

Cenciarelli C. (2012), Dr Lecter’s Taste for ‘Goldberg’, or: The Horror of Bach in the Hannibal Franchise, Journal of the Royal Musical Association, 137(1): 107-134.

Crisóstomo Gálvez R. (2014), Dr. Lecter y Mr. Dexter Morgan: mutaciones del héroe postclásico en la ficción televisiva, Área Abierta, 14(2): 36-52.

Del Gaudio V. (2017), Modelli performativi di costruzione dell'identità mediale tra letteratura e social network society. La letteratura nazista in America di Roberto Bolaño, in A. Amendola e M. Tirino (a cura di), Romanzi e immaginari digitali. Saggi di mediologia della letteratura, 119-128, Salerno-Milano, Gechi Edizioni.

Diehl D. e Donnelly M.P. (2008), Eat Thy Neighbour: A History of Cannibalism, Stroud, Sutton.

Fahy T. (2003), Killer Culture: Classical Music and the Art ofKilling in Silence of the Lambs and Se7en, The Journal of Popular Culture, 37(1): 28-42.

Fischler C. (1990), L’omnivore, Paris, Jacob; tr. it. 1992, L’onnivoro, Milano, Mondadori.

Goffman E. (1959), The Presentation of Self in Everyday Life, New York, Anchor Books; tr. it. 1969, La vita quotidiana come rappresentazione, Bologna, Il Mulino.

Goody J. (1982), Cooking, Cuisine and Class: A Study in Comparative Sociology, Cambridge, Cambridge University Press.

Halberstam J. (1991), Skinflick: Posthuman Gender in Jonathan Demme’s The Silence of the Lambs, Camera Obscura: A Journal of Feminism and Film Theory, 27, 36-53.

Innocenti V. and Pescatore G. (2012), Information Architecture in Contemporary Television Series, Journal of Information Architecture, 4 (1-2): 57-72.

Kilgour M. (1990), From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation, Princeton, Princeton University Press.

Kilgour M. (1998), Dr. Frankenstein Meets Dr. Freud, in R.K. Martin and E. Savoy (eds.), American Gothic: New Interventions in a National Narrative, 40-53, Iowa City, University of Iowa Press.

Kilgour M. (1998b), The Function of Cannibalism at the Present Time, in F. Barker, P. Hulme, and M. Iversen (eds.), Cannibalism and the Colonial World, 248-255, Cambridge, Cambridge University Press.

Laing H. (2007), The Gendered Score: Music in 1940s Melodrama and the Woman’s Film, Aldershot, Ashgate.

Leach E. (1972), Anthropological Aspects of Language: Animal Categories and Verbal Abuse, in P. Maranda (ed.), Mithology: Selected Readings, 39-67, Harmondsworth, Penguin.

Marx K. e Engels F. (1968), Il 1848, Firenze, La Nuova Italia.

Mazzarella A. (2014), Il male necessario. Etica ed estetica sulla scena contemporanea, Torino, Bollati Boringhieri.

Meglio L. (2012), Sociologia del cibo e dell’alimentazione. Un’introduzione, Milano, FrancoAngeli.

Mennell S., Murcott A., van Otterloo, A.H. (1992) The Sociology of Food, London, Sage.

Messent P. (2008), American Gothic: Liminality and the Gothic in Thomas Harris Hannibal Lecter Novels, in B. Szumskyj (ed.), Dissecting Hannibal Lecter: Essays on the Novels of Thomas Harris, 13-36, Jefferson, McFarland.

Pintor Iranzo I. (2009), Melancolía y sacrificio en la ciencia ficción contemporánea, Formats: revista decomunicación audiovisual, 5.

Richter D. (1989), Murder in Jest: Serial Killing in the Post-Modern Detective Story, Journal of Narrative Technique, 19(1): 106-115.

Sage C. (2003), Social embeddedness and relations of regard: alternative “good food” networks in South-west Ireland, Journal of Rural Studies, 19: 47-60.

Sassatelli R. (2004), Sociologia dell’alimentazione, Rassegna Italiana di Sociologia, XLV (4): 1-18.

Schechner P. (2013), Performance Studies: An Introduction (3rd Edition), London and New York, Routledge.

Smith M. (1999), Gangsters, Cannibals, Aesthetes, or Apparently Perverse Allegiances, in C. Platinga and G.M. Smith (eds.), Passionate Views: Film, Cognition and Emotion, 217-238, Baltimore, Johns Hopkins University Press.

Stallybrass P. and White A. (1986), The Politics and Poetics of Transgression, London, Methuen.

Stewart A.J. (1995), The Feminine Hero of the Silence of the Lambs, The San Francisco Jung Institute Library Journal, 14(3): 43-62.

Stokening M. (2003), Widespread prehistoric human cannibalism: easier to swallow?, TRENDS in Ecology and Evolution, 18(10): 489-490.

Taylor A. (2014), A Cannibal’s Sermon: Hannibal Lecter, Sympathetic Villainy and Moral Revaluation, Cinema: Journal of Philosophy and the Moving Image, 4, 184-207.

Taylor B. (1994), The Violence of the Event: Hannibal Lecter in the Lyotardian Sublime, in S. Earnshaw (ed.), Postmodern Surroundings, 215-230, Amsterdam and Atlanta, Rodopi.

Travis-Henikoff C.A. (2008), Dinner with a Cannibal: The Complete History of Mankind’s Oldest Taboo, Santa Monica, Santa Monica Press.

Ullyatt T. (2012) To Amuse the Mouth: Anthropophagy in Thomas Harris’s Tetralogy of Hannibal Lecter Novels, Journal of Literary Studies, 28:1, 4-20, DOI: 10.1080/02564718.2012.644464.

Veeder W. (1998), The Nurture of the Gothic, or How Can a Text Be Both Popular and Subversive?, in G. Byron and D. Puntner (eds.), Spectral Readings: Towards a Gothic Geography, 54-70, New York, St. Martin’s.


Refbacks

  • There are currently no refbacks.


Im@go. A Journal of the Social Imaginary - Biannual - Edizioni Mimesis